From American Guide:
THE WORLD’S GREATEST MINERAL SEA
SOAP LAKE, WASHINGTON
“For Stomach Troubles, Constipation, Headache, Rheumatism, or whenever a thorough constitutional remedy is needed, take Soap Lake Capsules. Price 25 cents per box.”
— 1906 advertisement for Soap Lake Remedy Company
At the south end of Washington’s ancient river bed, the Grand Coulee, you’ll find the healing waters of Soap Lake tucked among the columnar basalt cliffs and rim-rock slopes of the central shrub-steppe desert.
Containing 23 different minerals, researchers have determined that the chemistry of the lake has more in common with outer space than it does with Earth’s water. Because the alkalinity of Soap Lake resembles the moons of Jupiter, scientists have studied the lake in an effort to learn about the possibility of life on Mars.
Our human experience of the lake was nothing short of miraculous, as we polar-bear plunged the coastline on a windy day that topped off at cool 38 degrees. The soap-like waters leave behind an oily film that promises to cure what ails you. The plaque at the beach boldly declares that “…This is indeed a god-given body of water for to cure all the ills of mankind.”
And if all that isn’t remarkable enough, the city of Soap Lake plans to install a 50-foot Lava Lamp on Main Street. Just because.
The Lord’s Prayer from Rachmaninov’s world-stopping Liturgy of St. John Chrysostom, performed by the Cambridge King’s College Choir.
The Dying of thirst passage of this song is astonishing. Even more astounding is how important the skit at the end is to the song—and to the entire record. How is it that a blockbuster rap record climaxes with a baptism scene and the words, “Remember this day, the start of your new life, your real life…”?
good kid, m.A.A.d city might be my favorite record of the year.
Paul Hillier directs what I think is the definitive recorded performance of Arvo Pärt’s time-stopping Magnificat. The rich are sent empty away.
I loved Freaks and Geeks when it first aired. This pitch-perfect scene makes me want to revisit it. Bill alone making himself a grilled cheese. The mirroring shots between him and Garry Shandling (drinking, teeth, Bill pointing at himself). The laughing with food in his mouth. Comedy with this kind of pathos is, I think, one of the highest art forms.
Interviews with writers I love in The Paris Review
Not necessarily in any order of preference:
Tom Wolfe (Somehow I can still say this even after reading that 700-page bowel movement called A Man in Full)
Honorable mention (because he was interviewed by Ron Hansen, not because I’ve knowingly read a word he’s written): John Irving
And a couple with the next two writers I plan to dive into: Barry Hannah and Raymond Carver.