The Lord’s Prayer from Rachmaninov’s world-stopping Liturgy of St. John Chrysostom, performed by the Cambridge King’s College Choir.

The Dying of thirst passage of this song is astonishing. Even more astounding is how important the skit at the end is to the song—and to the entire record. How is it that a blockbuster rap record climaxes with a baptism scene and the words, “Remember this day, the start of your new life, your real life…”?

good kid, m.A.A.d city might be my favorite record of the year. 

I loved Freaks and Geeks when it first aired. This pitch-perfect scene makes me want to revisit it. Bill alone making himself a grilled cheese. The mirroring shots between him and Garry Shandling (drinking, teeth, Bill pointing at himself). The laughing with food in his mouth. Comedy with this kind of pathos is, I think, one of the highest art forms.

Interviews with writers I love in The Paris Review

Not necessarily in any order of preference:

Walker Percy

Marilynne Robinson

Tobias Wolff

Tom Wolfe (Somehow I can still say this even after reading that 700-page bowel movement called A Man in Full)

Honorable mention (because he was interviewed by Ron Hansen, not because I’ve knowingly read a word he’s written): John Irving

And a couple with the next two writers I plan to dive into: Barry Hannah and Raymond Carver.