Theotokos

I don’t do internet fights, especially over theological matters, and this post is in no way meant to start some protracted battle over the veneration of Mary—which practice I oppose. I’m simply writing this out because On That Hill is a better forum for my thoughts than Twitter, and I wanted to give Señor Jamey Bennett, taco-lover and Orthodox food dude, something better than inarticulate 140-character missives.

Mrs. Boychuk’s article, linked above, seems to summarize the Orthodox, and for that matter, the Roman Catholic position in favor of the veneration of Mary… as well as the practice of praying to her, seeking her intercession, etc. At least, it doesn’t introduce anything I haven’t heard before (in various contexts): Mary as the new Eve, Mary as a kind of prophet, as a kind of ark, etc. I’ve heard this from the veneration-of-Mary arguments, but I’ve heard far more of it in my own circles. I sit under Peter Leithart, a man whose exegesis wrings countless riches from any given text—I hear all of this and more every year during Advent and Christmas. Yes, Mary is all these things; she’s also a new Sarah bearing a new Child of promise, a new Deborah singing a new song of deliverance, a new Ruth being lifted from the dust heap, and so on. She is all these things, and more, and together with these other women (and the other women mentioned in the gospels), she looks forward to the ultimate Woman: the church, the Bride of Christ. I’m all for typological readings of Scripture; the Irenaeus quote is a leading candidate for the back tattoo I hope my wife will someday let me get. But this reading of Mary from the above-linked article, you could say, doesn’t go far enough for me.

Then there’s this:

…Orthodox Christians argue that no ordinary woman could give birth to God’s Son and that she was chosen by God because she was a holy young girl whose will was aligned with His Will. Certainly, she was ordinary in that she was a human being like the rest of us, but her submission to God set her apart for the most important job a human could ever fulfill.

“…because she was a holy young girl…”? But the angel said:

“Rejoice, so highly favored! The Lord is with you!… Mary, do not be afraid; you have won God’s favor…"That’s from The Jerusalem Bible.

Not, "Hey, rejoice, holy one! You’re the only one up for this job Yahweh has for you…” It’s, “Rejoice, favored one!” Rejoice, you who the scribes and priests couldn’t give a crap about, you who the Romans would kill and rape if they got ornery enough, you poor and meek woman of the earth: God is going to up-end the world the way he always does—through a woman of no reputation. 

The New Testament is studded with characters like this—a poor girl who appears to be knocked-up who bears the Christ, a gaggle of illiterate fishermen who preach the gospel before kings, a tax collector who records the Sermon on the Mount, a sonofabitch murderer who becomes the Prince of the Apostles. God doesn’t choose people to do great things because of their merit. He takes strength and makes it weak, and then turns weakness into strength. I can’t think of anywhere where God chooses the person whose “submission to God set her apart for the most important job a human could ever fulfill.” But we could multiply examples of the opposite…

Concerning Mary’s perpetual virginity, even granting all of Mrs. Boychuk’s points, I still don’t see how it’s Biblically necessary for Mary to have remained a virgin. The story of redemption leads to consummation, a wedding scene, a Bride adorned for her husband. As for Joseph thinking of Uzzah touching the ark, he probably would have remembered that Uzzah touched the ark while God was still inside it, as it were. And from Matthew’s account, it’s entirely reasonable to assume that he kept his hands off during her pregnancy, for a number of reasons that may have included grim memories of Uzzah. But afterwards, being a just and righteous and devout Jew who knew the law, he probably would’ve hastened to Exodus 21:10 and her conjugal rights, God having left the ark, as it were.

I know I haven’t answered every part of the article; this is already a hundred times longer than I wanted it to be. Before I conclude, let me hasten to mention that I in no way wish to disparage Mrs. Boychuk or Mr. Bennett. I am also sure I have said nothing that they haven’t heard before, having their Christian origins in Protestant circles (and Mr. Bennett being well acquainted with many of my teachers and sources). Though they’d refuse the bread and wine I as a deacon would serve them (were they to visit Trinity Reformed Church) and I’d be left outside with the Philadelphia hungry at Mr. Bennett’s church, they are not enemies of the cross of Christ, and so I consider them my siblings.

With that out of the way, I can’t really say it any better than the angel who spoke with John near the end of Revelation, when John knelt at his feet to worship him: “Don’t do that! I am a servant just like you and like your brothers the prophets and like those who treasure what you have written in this book. It is God that you must worship.”

Rules of storytelling

Via Emma Coats’ blog, Story Shots, and the Pixar blog… reproduced here only because I want to make sure I can quickly find these for my own future reference.

#1: You admire a character for trying more than for their successes.

#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.

#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.

#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.

#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?

#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.

#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.

#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.

#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.

#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.

#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.

#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.

#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.

#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.

#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.

#17: No work is ever wasted. If it’s not working, let go and move on - it’ll come back around to be useful later.

#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.

#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.

#20: Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?

#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?

#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.

Levon Helm died today. Here’s the Drive-By Truckers with a song about the deaths of two other members of The Band.

The Trinity and human relationships

Some thoughts developed with a little help from Peter Leithart. By “a little help” I mean things like “forming my understanding and belief in the possibility of everything mentioned here”…

The Father gives the Spirit to the Son; the Son receives the Spirit and then gives the Spirit back to the Father, who receives the Spirit and then gives, etc… this inter-trinitarian giving is the basis of human relationships, and the relationship between God and man.

God gives (he initiates), and we receive. When we receive, then we may give. When we give, we give expecting to receive back something glorified. 

God’s initial gift to us enables us to enter into this Trinitarian dance of gift. That initial gift is the Spirit. When He gives His Spirit to us, we produce the fruit of the Spirit and thus we offer the Spirit back to God. Giving the Spirit back to God, we expect him to return to us glorified, a fresh outpouring of the Spirit that proves even more fruitful than before.

Likewise, God gives people to us (wife, children, friends, even enemies); we receive them and we then give those people back to God. When a husband gives his wife, he expects her to return to him more lovely, for instance. When parents give their children, they receive them back. This is most dramatically illustrated in baptism: the parents hand the child to the minister. The minister baptizes the little one. Then the parents receive their child back, a new creation over which the Spirit now hovers.

More intriguing, when one gives his enemy, he may receive that enemy back as a defeated enemy—or even as a friend. “Vengeance is mine…” and so forth. We give up enemies by forswearing vengeance, bitterness, wrath, and so on, and commit them to God by praying the words of the psalms of complaint.

This shall be sung at Easter by the Trinity Reformed Church choir. Until that time, when the voices of my brothers and sisters are singing it, this recording shall have to do. If you listen to this, stop whatever else you’re doing to take it in.

Flannery O'Connor reads A Good Man is Hard to Find at Notre Dame in 1959, I believe. Good Man is the first Flannery story I read, and it was probably the first story that ever shocked me—my jaw actually dropped. I remained completely startled and unsettled by it in my subsequent readings of it until I heard this recording, when for the first time I could hear how funny it is, too (“his head was as smooth and round as a cabbage…”).

Birmingham Is Not New York: 5 Cautions for Arts Ministry

Via commentmagazine:

Start with where you are. If your church is in a region with a strong history of quilt making, that should be the starting point for your arts ministry. Don’t open with a white cube gallery space. Take a lot of time to listen to the artists and designers in your church to understand the history and legacy of the creative process in your region. Think outside just painting and architecture. Contra dancing, shape-note singing, and street art murals are a few of the examples of regional art that you ought to spend time thinking about and participating in. Before turning your narthex into a gallery, why not ask experienced woodworkers in your congregation to make a table for communion? Before trying to create a concert space where touring bands can play, support already existing local efforts to promote music.

What if your church is in a region that doesn’t have a strong tradition of anything?